Developed under Manley Labs' rigorous scrutiny, the Manley Variable Mu Limiter Compressor plug-in is a thorough emulation of this legendary tube limiter, and is based on the coveted “6BA6 T-BAR Tube Mod” unit. It adjusts the output level of that audio channel. But you cannot hook it up to "nothing". Show all. Youtube. HP SC SWITCH. Three levels of attenuation are available. THRESHOLD CONTROL. 9. 6. And here is what we have with the Manley Nu Mu. Rupert Neve 542, SSl Bus Compressor, Thermionic Culture Vulture, Apogee symphony … A popular mod of the original device was to add a high-pass filter, but Mu goes even further, offering a more complete equalization section, enabling to precisely adjust the compressor’s response to … 7. 4. Youtube. China Cymbals; Crash Cymbals; Cymbal Sets; Hi Hats There is an Input Level control for each cannel. The Stereo Variable Mu Limiter Compressor from Manley Labs is the GLUE that holds the mix together while crystallizing it into a professional, final product. IN / BYPASS SWITCH. sonicstate. You get louder soft sections and original dynamics of the louder sections. This indicates that the Nu Mu is in STANDBY mode. 8. ATTACK CONTROL. I've been stymied trying to understand why a mix wasn't sounding good only to find that I left the Vari Mu out of the hardware chain. musotalk. HIP CONTROL. The Left channel controls become the master linking THRESHOLD, ATTACK & the RECOVERY CONTROLS. The power switch will illuminate to a brighter blue and the backlit VU meters will start to flash. gotta love the typed word for sticking flashing lights around any ambiguity lol. While the Manley Variable Mu uses the remote cut-off style gain reduction found in the Fairchild and other classic limiters, it has a sound and character all its own. The Input Level is controlled by a toggle switch. Pay attention when interfacing with some of these interfaces like your Apollo. As you can see from this graphic generated by our Audio Precision measurement system, both the LIMIT and COMPRESS reduction curves from the NU MU are remarkably similar to those from a T-Bar modded Stereo Variable Mu. I like the subtle La-2 for this reason during tracking but use hardware 6176's and such too but in small doses and use the dbx 160, fairchilds and 1176 etc. The most extreme effect is when the control knob is set to MIN or fully counter-clockwise. : https://www.sweetwater.com/store/detail/SLAM--manley-slam/?utm_source=YouTube\u0026utm_medium=Referral\u0026utm_campaign=LwoLeu_BvwI#Sweetwater Youtube. UAD Manley Variable Mu Plug-in VS Hardware Compressor Limiter. Ratio Mode switches between LIMIT (1.5:1 to 12:1) or COMPRESS (1.2:1 to 3:1), HP SC: High Pass Side Chain Filter -3dB @ 100Hz @ 6dB per Octave, Stereo Link establishes Left-Master dynamic control for THRESHOLD, ATTACK, and RECOVERY controls, Beautiful illuminated stereo VU meters read Gain Reduction or Output Level, Sidechain INSERT per channel via 1/4" TRS jack TIP=SEND, RING=Return, SLEEVE=Ground. I will prob demo the Manley Vari-Mu but I will prob stay with the 670 for mastering duties. 12. Recording was a different world. 13. Youtube. When this switch is selected to O/P and illuminated, the meter measures the output in decibels. It shows the amount of gain reduction in dB from the 0 dB mark, when the switch (7) is set to REDUCTION. Manley HIP function raises soft dynamics without squashing louder passages, MANLEY POWER® High Voltage Switched Mode Power Supply custom designed for our vacuum tube audio circuits, INPUT Level Preset 3-way switches -3dB, 0, +3dB, Continuously variable OUTPUT level controls, Unity Gain set INPUT to "0" and OUTPUT control to 11 o’clock. The "Hip" control allows compression to happen at lower volumes (lower in the dynamic range spectrum) but leaves the louder dynamics alone while still compressing the overall signal. Manley Laboratories, Inc. is an American manufacturer of professional studio and hifi vacuum tube audio equipment. Kits and Instruments for Ableton live, Logic EXS, Kontakt, Maschine & Battery to get you Jamming Immediately. When this switch is engaged and illuminated, everything above 100Hz will have the effect of limiting or compression. Manley Vari Mu. Full Member; Offline; Posts: 102; Re: Manley MU vrs. OUTPUT CONTROL. It also comes in well under $3,000, so yeah - for all of our individual musician and home recording customers, it is very well-priced for them.". A big round heavy-handed vibey sound like The Variable Mu was exactly what was needed then. There was still plenty of recording to tape occurring in the big studios. When the switch is engaged and illuminated, the output of the particular channel you are monitoring is visible in the corresponding VU Meter. Same curves, same legendary smoothness. The Attack control is continuously variable and determines the necessary length of a transient to initiate gain reduction.With 63% gain reduction: SLOW 0.13s, MID 0.07s, FAST 0.013s.With 90% gain reduction: SLOW 0.64s, MID 0.35s, FAST 0.064s.Fully counter clockwise at the slowest setting will prevent most percussive signals from causing limiting or compression. Manley Dynamics Processors Demo with Mick Guzauski - YouTube This switch allows the Nu Mu to use two different compression ratios, offering either Compression at approximately 3:1 when the switch is engaged and illuminated, or Limiting at approximately a 10:1 ratio. 5. And then digital was not really excellent yet. The BYPASS switch in the Nu Mu is a ‘Hardwire’ bypass for maximum performance. A gold standard among mixing and mastering engineers, the Variable Mu adds clarity and cohesion to stereo buses or your entire mix. The OUTPUT control is available on both the L and R channels. The Manley gets very hot very quickly. The Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu® with same super smooth side chain and timing characteristics followed by a high voltage discrete and FET solid-state amplifying and output stage for a faster and punchier audio path. If you are using TRS - XLR cables, make sure that it is wired: TRS TIP = HOT (+) to XLR Pin 2TRS RING = COLD (-) to XLR Pin 3TRS SLEEVE = GROUND to XLR Pin 1, TS - XLR cable, make sure it is wired:TS TIP = HOT (+) to XLR Pin 2TS SLEEVE = GROUND to XLR Pin 1 AND Pin 3, F.A.Q.REGISTER PRODUCTTECH SUPPORT, SERVICE & PARTSMANUALSLEGACY PRODUCTSWARRANTYBUY PARTS ONLINE, 13880 Magnolia Ave. Chino, CA 91710 USA | T: +1 (909) 627-4256. It's the best piece of audio hardware I've ever purchased (really). 3. Manley Variable Mu Under the Hood. i hadnt meant to imply that the chandlers were a new SSL in anyway though see how … First of all the Manley Vari mu seems more solidly built, the Phoenix is more open feeling, not flimsey exactly but you wouldn't want to drop it! We don’t want to add more vibe or slow down the sound. OK, listen up: the XLR INPUT is TRANSFORMER-COUPLED so that means you HAVE TO have something connected to all of the pins. INPUT LEVEL SWITCH. Compressor Shoot Out: Manley Variable MU VS Brainworx VSC-2. The THRESHOLD control is available on both the L and R channels. Maximum Output: +27dBu (18Vrms) into 100K Ohm load; +24.5dBu (13Vrms) into 600 Ohm load. 2. However, I tend to apply compression in small amounts during the whole recording process, never applying too much in one hit. Recording: Neve 1073 Preamp and EQ, Manley Variable-Mu, Capi LC25, BT50, VP28, Pultec EQP5, Rupert Neve 542, Apogee symphony MKII Converter. DFAM Samples. The ATTACK control determines how long the compressor takes to respond to signals above the threshold. (1Khz Sine, < 0.3% THD+N, BW 20Hz - 20kHz). You can GROUND it if you are driving it from an unbalanced source. No chips! You cannot "float" Pin 3. Pendulum MU « Reply #15 on: August 31, 2006, 09:08:56 pm » tony, apologies for the lack of clarity in my post. Engaging the power switch takes the Nu Mu out of standby mode and into warm-up mode. Skipping forward to today, we have really excellent digital converters, and of course it is our de facto standard now. I will prob demo the Manley Vari-Mu but I will prob stay with the 670 for mastering duties. Manley Vari-Mu Compressor Outboard vs Plugin. Show all. Frequency Response: - 0.8dB @ 20Hz, -0.5dB @ 50kHz, Total Harmonic Distortion: <0.05% THD+N (1kHz Sine, +4dBu, BW: 20Hz - 22kHz), Noise floor: -85dB typical (BW: 20Hz - 22kHz), Signal to Noise Ratio: 89dB (referenced to +4dBu), Common-Mode Rejection Ratio (CMRR): 74dB (BW: 20Hz - 22kHz, +4dBu, 1kHz Sine), Input Impedance: -3dB= 1 kOhms, 0dB= 2.5 kOhms, +3dB= 4.5 kOhms, Operating mains voltage: 90 to 254 VAC (internal universal supply), Dimensions: 19" x 3 1/2" x 7" (occupies 2u).
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