There are many summing mixers, each sporting various features and routing options, but the Satellite 5059 is the only one deserving of the Rupert Neve name. Additionally, the bus assignment button, labeled Stereo 2, assigns any channel to the second mix bus, or can act as a mute button if the Stereo 2 mix bus is not being monitored. You're low on funds, experience or training? The original TG Channel (Tape Op #43) was a TG2 preamp (Tape Op #39) combined with a 3-band EQ. The 5059 includes 16 balanced line inputs with front- panel level, pan, and bus-assignment controls. The frequency response goes from near DC to 185 kHz, and the signal-to-noise ratio in the audio band is close to 120 dB. The 96 kHz sessions were mostly recorded at Ocean Way Studios on a big analog console using 2'' tape in conjunction with a DAW. I look forward to each RND release, and the 5059 did not disappoint me in any way. Continuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of both stereo outputs. “There is something lovely about the sonic change in the tiniest of details as you drive the channels. By now, we are all familiar with the Rupert Neve Designs Portico Series of processors and RND's big-daddy 5088 console [Tape Op #73]. The two mix buses have independent level controls and also independent texture controls, each with a choice of Blue or Red Silk modes and independent drive control. He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. By now, we are all familiar with the Rupert Neve Designs Portico Series of processors and RND's big-daddy 5088 console [Tape Op #73]. For many interfaces, you may have to back the stereo bus down by as much as 10 dB so as not to overload your inputs. For my daily use, the elegance of a summing mixer lies in its inherent signal patching flexibility. During setup, the sophistication and routing flexibility of this simple-looking box soon become apparent and the manual outlines a few useful routing options. A few other clever routing options are available, simply by taking advantage of switch positions. Usually ships in 5 days. Every mix demands its own treatment; continuously variable Texture controls with Silk and Silk+ modes allow the engineer to fine tune the harmonic ratio and tonality of each stereo send of the 5059, or leave each mix pristine. By connecting a second 5059 to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels. Rupert Neve Designs: 5059 Satellite Summing Mixer Reviewed by Adam Kagan. I have a master buss compressor and 5033 and 5032 from RND. Channel inserts are provided in the 5059 to streamline interconnections with analogue outboard equipment and to allow for further expansions of the 5059’s capabilities. The Red Silk mode accentuates the high-mid saturation, while the Blue Silk mode accentuates the low-mid saturation characteristics. Level controls are provided for each of the stereo outputs -∞ to 0dB. These stem mixes can be enhanced using the Silk / Texture controls on the 5059, then processed by buss compressors or other devices, and fed into inputs of another mixer or an ADC. the portico units are their own cool thing. Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. It certainly made gain-staging the mixer much more of an afterthought. the Portico II units come closer tone wise to the 5088 than the portico units. Radial Engineering sent both LC and AH a Workhorse and a selection of 500-series modules. Having fallen foul of a few ADATs back in the day, I badmouthed the sonics of digital: the crispiness, the sterility, the lack of depth, etc. The Silk mode accentuates the transformer saturation in the high frequencies to add a “sparkle” to tracks. The manual explains how to calibrate the unit, and I strongly suggest you should create a session template to aid calibration, no matter what summing amp or outboard processing you may use. Portico 5211 5017 5024 5045 Accessories. $3,995.00. Unlike EQ, the texture control saturates the output transformers, and adds musical harmonics to the source material according to the amount of texture applied. Built around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the 5059 is designed to deliver the ultimate “out of the box” sonics and ergonomics in a 2U, rack-mountable chassis. Aside from providing aux functionality with a second 5059 module, the dual stereo outputs of the 5059 are generally used for creating stem mixes. These types of saturation embody the "Neve" sound of the classic Neve devices. Each input features a switchable insert with separate send and return points, pan and level controls, and the option to assign to a second mix buss. Never during the project did I feel that I hit the input channels too hard, nor could I drive the outputs too hard without driving my Prism ADC into clipping first. Along with the legendary warmth and presence of a Rupert Neve design, it features 16 channels with individual level, pan, inserts, stereo-bus sends, and master texture controls. Rupert Neve Designs, LLC was founded by Mr. Rupert Neve on passion, experience and a desire to craft timeless musical tools for the 21st century. Beyond providing galvanic isolation, the custom transformers in the 5059 are a key ingredient to its larger than life sound. I found the two stereo buses and variable Silk modes useful in various combinations for each song. The 5059 continues that lineage with red, dark-blue, and silver knobs; white pushbutton switches; and the now-familiar, off-white front panel. Each channel's level control ranges from minus infinity to +10 dB of gain, and the transformer-balanced bus outputs can push +26 dBu back to your recorder - about the max level most pro A/D converters can cleanly handle. ($3749 street; www.rupertneve.com). I like to refer to the Portico stuff as simple but sophisticated. The 5059 is a unique summing mixer and would impart a variable sonic palette and novel routing options to any hybrid DAW setup. Over the last few years, these products have proved themselves worthy of the Rupert Neve badge and are now staples in million-dollar facilities and project rooms alike. Variable amounts of Red or Blue Silk modes are available to each output bus and provide about three times the amount of color and saturation as the original Portico units can. For instance, the input signal to a channel is always present on its insert send, allowing a mult for splitting a record signal or for parallel processing that signal; the insert return is only monitored when the Insert button is engaged. The TG Channel MKII Abbey Road Special Edition incorporates a number of enhancements.

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